The Core Sans M Family is a part of the Core Sans Series, such as Core Sans N, Core Sans N Rounded, Core Sans N SC, and Core Sans G. This font family has open and square letter shapes, and overall rounded finishes provide a soft and friendly appearance. Simple and modern shapes with a tall x-height make the text legible and the spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans M Family consists of 2 widths (Condensed, Normal), 7 weights (ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy), and Italics for each format. Small Caps versions are also available. It supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Superiors and Inferiors, Fractions, Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Tabular Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans M Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.
TTF | 56 Fonts | JPEG Preview | 16.5 Mb RAR
While Adelle is a slab serif typeface conceived specifically for intensive editorial use, mainly in newspapers and magazines, its personality and flexibility make it a real multiple-purpose typeface. The intermediate weights deliver a very legible and neutral look when used in text sizes, providing the usual robustness expected in a newspaper font. The unobstrusive appearance, excellent texture and slightly dark color allow it to behave flawlessly in continuous text setting, even in the most demanding editorial applications. As it becomes larger in print, Adelle shows its personality through a series of measured particularities that make it easy to remember and identify. It has 14 styles, ranging from light to heavy, with more than 900 characters per font. Its energetic character, so inherent to slab serif fonts, becomes evident as the typeface is used for subheadings and headlines. The OpenType Pro package of Adelle includes nearly 900 characters per weight, including small caps, fractions, old style and lining numbers, scientific superior/inferior figures, complete ordinal and inferior alphabet, and a set of symbols and arrows. It supports over 40 languages that use the Latin extended alphabet.
OTF | 12 Fonts | JPEG Preview | 5.5 Mb RAR
Nokio is a clean, minimalist Sans Serif typeface designed in 2013 by TypeUnion. Nokio uses clean lines and curves matched with smooth, rounded terminals to produce a structured typeface with a subtle playfulness. Nokio is made up of 5 weights, and is built for multiple uses, from digital applications such as Apps and Websites to logotypes and print applications.
OTF | 5 Fonts | JPEG Preview |
The Proxima Nova family is a complete reworking of Proxima Sans (1994). The original six fonts (three weights with italics) have been expanded to 42 full-featured OpenType fonts. There are three widths: Proxima Nova, Proxima Nova Condensed, and Proxima Nova Extra Condensed. Each width consists of 14 fonts--seven weights with matching italics. Stylistically, Proxima Nova straddles the gap between typefaces like Futura and Akzidenz Grotesk. The result is a hybrid combining humanistic proportions with a somewhat geometric appearance.
7 weights: Thin, Light, Regular, Semibold, Bold, Extrabold, and Black
3 widths: Normal, Condensed, and Extra Condensed
Matching italics for all weights and widths
Matching small caps for all weights and widths*
Lining and old style figures (proportional and tabular)*
Full “f” ligature set*
Alternate characters (a, l, y, G)*
Extended language support (most Latin-based scripts supported)*
Extended currency support*
* Requires an application with OpenType and/or Unicode support.
All characters, including the small caps, old style figures, and alternate characters are included in the basic Proxima Nova fonts. Supplementary fonts (Proxima Nova Alt and Proxima Nova ScOsf) are included for use with programs (such as Flash and Microsoft Word) that do not yet support all OpenType features. The supplementary fonts are NOT needed at all with OpenType-savvy programs (such as Adobe Creative Suite and QuarkXPress 7).
OTF | 126 Fonts | JPEG Preview | 6.5 Mb RAR
Quiroga Serif began in 2007 with the name Quadratta Serif. This typography was designed for continuous text, legible at medium and small sizes, with great saving of space, optimized for 6, 8, 10 and 12 points. The morphology is a mix between tradition and innovation; it has a vertical axis, thick serifs, tall x-height, light modulation and a lot of internal space between letters: key to improve legibility at small sizes. Formally, my idea was to make a serif type that had a unique color, this is visible due to the light modulation. This is also complemented with the incorporation of not common, alternative signs. Some parts of the letters that are usually curb or diagonal where made horizontal (for example: a, q, p, etc.), this makes the eye of each character to be wide and unique. The serifs (wedge type) suffered diverse variations during the process. At the begining they where thicker and ended vertically, but this caused a great deal of printing errors. And so we decided to modify them by giving them an angle to avoid visible errors in medium and small sizes. The ch, and ll ligatures where rescued because they are a part of our current spanish alphabet. The historic ligatures and stylistic alternates give different options to users who want different alternatives within a text. The accentuation signs were composed in a middle line above all signs to avoid visual shock. We also gave plenty of importance to small caps numbers, mathematical signs and currency signs so that the could interact well.
OTF | 6 Fonts | JPEG Preview | 6.2 Mb RAR
Clip is a display typeface inspired by the shape of a paperclip, but it’s not designed with the usual minimalistic modular approach. Instead, Clip mimics the construction, proportions and contrast of classic bold text typefaces and has one unique characteristic: each of its characters is drawn with only one single line. Clip family consists of 3 fonts, Hair, Light and Regular, each with 745 glyphs (supporting more than 70 latin based languages), 4 stylistic sets and advanced OpenType features. When Stylistic set 1 is activated, the overlapping loops contract, giving the text a whole new character. Moreover, every uppercase character is also available in an ornamental swash variant, which means most of the capitals have four different versions.
OTF | 3 Fonts | JPEG Preview | 4.9 Mb RAR
The purpose of the original DIN 1451 standard was to lay down a style of lettering which is timeless and easily legible. Unfortunately, these early letters lacked elegance and were not properly designed for typographic applications. Ever since its first publication in the 1930’s, several type foundries adopted the original designs for digital photocomposition. By early 2000, it became apparent that the existing DIN-based fonts did not fulfill the ever-increasing demand for additional weights as well as support for languages other than Latin. Parachute® was set out to fill this gap by introducing the PF DIN Text series which, ever since, has become the most comprehensive and sophisticated set of DIN typefaces. It was based on the original standards but was specifically designed to fit typographic requirements. Its letterforms divert from the stiff geometric structure of the original and introduce instead elements which are familiar, softer and easier to read. It was completed in 2002 as a group of 3 families which included condensed and compressed versions. With its vast array of weights, the extended language support, but most of all its meticulous and elaborate design, it has been proven valuable to numerous design agencies. Ever since its first release, it has been used around the world in diverse editorial, packaging, branding and advertising campaigns. It was quoted by Publish magazine as being “an overkill series for complex corporate identity projects”. The whole PF DIN Text type system includes 45 weights from Hairline to Extra Black including true-italics. Additionally, every font has been completed with 270 copyright-free symbols. In 2010 Parachute® released 4 new families DIN Monospace, DIN Stencil, DIN Text Arabic and DIN Text Universal. All these are complemented by the popular DIN Display version. Altogether the Parachute DIN series is a set of 8 superfamilies with a total of 96 weights.
TTF | 14 Fonts | JPEG Preview | 6.3 Mb RAR
Designed in 1998-1999, YWFT Unisect was built as the sister to the popular, triple lined typeface, YWFT Trisect. YWFT Unisect contains a minimal, geometric style that stays consistent and is very legible no matter what the point size. YWFT Unisect has been used numerous times by the magazines Wired and ESPN. YWFT Unisect was converted to opentype format in 2010.
OTF | 10 Fonts | JPEG Preview |
Houschka Rounded Alt is a carbon copy of the Houschka Rounded family with one key difference: the rounded signature glyphs A & W on the default positions swap places with their straight alternates. Houschka was named after Georg Houschka, a sadly defunct confectioner’s shop in Salzburg, Austria, which had a wonderful 1930s frontage and distinctively rounded letterforms in the sign above the door. OpenType features include CE, Baltic, Turkish & Cyrillic language support plus small caps, 3 stylistic sets, contextual alternates, ligatures and 4 sets of numerals. Houschka Rounded Alt is a clean and legible modern sans serif typeface which shares the humanist qualities of Gill Sans and Johnston but retains a uniquely charming character of its own. The monolinear structure, rounded terminals and rolling curves give Houschka Rounded Alt a soft and friendly appearance.
OTF | 12 Fonts | JPEG Preview | 4.5 Mb RAR
If you really feel that there’s nothing new happening in the sans-serif scene – meet Gloriola. A combination of frugal, unobtrusive uppercase letters with distinctive ascenders, a slightly compressed appearance and an atypical shape, form a sufficiently original contribution to current efforts to bring sans-serifs up to date.
OTF | 14 Fonts | JPEG Preview | 6.8 Mb RAR
DSType proudly introduces BRAGA, an exuberant baroque typeface, named after a portuguese city, also known as the baroque capital of Portugal. Our latest typographic extravaganza comes with a multitude of fonts designed to work like layers, allowing to insert color, lines, gradients, patterns, baroque, floral swashes, and many other graphic elements. Starting with Braga Base, you can add any of the twenty-three available styles, to create colorful typographic designs. Be sure you check our detailed specimen, showing all the features and how to use this type system.
OTF | 24 Fonts | JPEG Preview | 14.9 Mb RAR
Long since replaced by computers, the mechanical lettering kits used by draftsmen and amateur sign makers served as the inspiration for the Bryant family of typefaces.
OTF | 12 Fonts | JPEG Preview | 4.6 Mb RAR
Kroppen Round is a geometric, stencil-style font based on Talbot Type Kaleko Round, and is available in four weights. Kroppen is not strictly a stencil font given that several characters, notably the O, are not stencilled. The design has more to do with achieving each character from a single stroke, or series of single strokes.
OTF | 8 Fonts | JPEG Preview | 4.7 Mb RAR
Say hello to the new Magallanes Family, a contemporary neo-humanist sans serif font designed by Daniel Hernandez. Its strokes and terminals are related to the calligraphic strokes from humanist typefaces. It comes with 8 styles, from Ultra Light to Black, each with its true italics. Every weight comes with alternative glyphs for a more dynamic use. Magallanes is the perfect titling font to complement text faces in magazines, logotypes, etc. Languages supported include Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian, Pan African Latin.
OTF | 16 Fonts | JPEG Preview | 6.6 Mb RAR
The design of Graublau Sans Pro took Georg Seifert over 5 years. With 7 weights and over 1000 glyphs per style, Graublau Sans is a type family that suits all typographic tasks. The regular styles have a rather clean and neutral appearance. The italics on the other hand, have a vivid design based on handwriting. For the use in headlines or logotypes Graublau Sans Pro offer 6 additional display styles with rounded corners and tighter spacing. Beside the typical western codepages, Graublau Sans Pro also supports Greek, Cyrillic, CE (Central European) and Turkish. There are also several sets of figures available: oldstyle figures and lining figures (both proportional and tabular), small caps figures, fraction figures, subscript and superscript figures and figures inside circles.
OTF | 20 Fonts | JPEG Preview | 4.3 Mb RAR
Dulce is a swash typeface with an elegant and romantic touch. It is thin, but it becomes thick where two terminals meet and it also has swelling at terminals. Its wide range of ligatures makes it a versatile typeface, suitable for headlines and short phrases. You will see all of these ligatures on the screen, enabling “standard ligatures” and “discretionary ligatures” options. Ornaments are also included, which can be very useful for designing. Dulce is ideal for magazines, logotypes, advertising, etc. Use it for whatever you want and enjoy!
OTF | 1 Font | JPEG Preview | 3.7 Mb RAR
American Brewery was inspired by lettering found on vintage beer label. Clean and rough version are available, “rough” version comes with a vintage letterpress feel.
OTF | 2 Fonts | JPEG Preview | 5.8 Mb RAR
- HockeyMonkey has an extensive list of fonts for jersey customization including most National Hockey League teams. These fonts and many more are available with Tackle Twill and Sublimation Customization. HockeyMonkey will also accept custom fonts provided by customers.